Kota's Indian cultural Painting is very close to Bundi Shelley, in Kota's picture style, the coordination of Bundi and Mughal Shelley is found, in the Kota pen, the Mughal influence is seen from the time of Rao "Jagatsingh" to establish the independent existence of Kota painting style. Credit goes to "Rao Ramsingh" Kota Chitra Shelley Maharao was at her peak at the time of "Ummed Singh"? The main feature is hunting in Jaglo ?? There are more pictures to be done here, queens and women are also shown hunting with the rulers here. In Ramsingh (1828), he was an art lover and loved elephants and horse riding. Therefore, in their paintings, the royal costumes were earlier, sitting on elephants and horses is more marked. Some miraculous pictures are also found in the paintings of his time, such as the woman's dance on the elephant's trunk, the elephant's ride on the umbrella, etc. After the summer of 1857, the influence of the company's pen on this style also started coming. After Shatrishala II, this style was oriented towards its downfall (downfall).
Uniyara is situated on the border of the princely states of Jaipur and Bundi ( Indian cultural Painting ) Bundi and Uniyara's blood relations or matrimonial relationship also influenced her on Shaniya: Shanai: a new style was born, which was known as the Uniyara style. The descendants of Naruji were called 'Naruka' in the Amber turtles. In the lineage tradition of 'Rao Chandrabhan' in 1586 - 1660 AD, the Kandhar war in the Mughal side demonstrated immense valor in 1660 AD. Pleased with this, the Mughal emperor gave him the four Parganas of 'Uniyara', Nagar, Kako, and Banetha in the jagir.
