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Asian Drama, Movies and KShow English Sub Online

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Drama Cool
Asian Drama, Movies and KShow English Sub Online

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Macbeth issues a warning: the greatest risk to the inner life comes from the delusion that it does not exist.

“A little water clears us of this deed,” says Lady Macbeth, thinking that getting the look right will make it right. But in doing so she commits treachery upon her inner life.

In a world where existence seems increasingly to equate to self-projection, she is an example of the mistake we make when we see the visible surface of public and social media as the place where reality plays out, the place where we see what we are.

Macbeth, like most of Shakespeare’s plays, sets two worlds spinning: one of outer action and one of inner being. The collision of their orbits provides the spark for the drama. The themes of Macbeth’s outer world of action are violence and treachery. The intersecting themes of its inner world are ambition, and moral reasoning.

In exploring what holds a society together and what tears it apart, the play doesn’t just condemn violence, it dramatises its uses. The play showcases both loyal violence and treacherous violence.

In Act One, Scene One, a soldier reports that Macbeth, a Scottish general, has shown prowess on the battlefield and “unseamed” his rebel opponent, Macdonald, “from the nave to th’ chops.” That means he cut him in half.

Macbeth does this in loyal service to King Duncan, and usually enters the stage splattered with blood, that of his victims and his own – blood lost in service to his king. The military campaign is to suppress domestic rebellion. Among the rebels is the “disloyal traitor” the Thane of Cawdor, whose title Duncan transfers to Macbeth, commanding that the treacherous clan chief be executed.

Macbeth’s first promotion, then, is gained through the sanctioned violence of killing traitors. There is a fragile moment at the beginning of the play, when this violence seems to have restored order.

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