Charles Lamb is the perfector of the Literary kind of essay-- subjective, fictional and personal. Leigh Hunt in his Signal revived the way, quiet plot and the design of Steele. Jeffrey in the Edinburgh Review and Hazlitt in his Desk Speak took to literary criticism and increased the standard of fictional taste. But Hazlitt has to much resentment to be affable; Delaware Quincey is usually also inventive in his conceptions and florid in his style. But Lamb is crucial, innovative and romantic. The key subject matter of the Documents of Elia is Lamb himself-Lamb's mind re-acting to his reports and environments-to life itself. That yet another fascinating attribute to English essay writing.
Walt Pater could say, "With him just like Montaigne, the want of self-portraiture is, under much more superficial tendencies the true motive in publishing at all-a want connected with that closeness, the modern subjectivity, which might be named the Montaignesque factor in literature" ;.The egotism of Lamb is combined with a sweetness all its own. There is the distinguished press of his lovable personality in his essays and his essays are enlivened by genial comedy and impish wit. The British composition articles of Lamb may be named confidential chatters since they are full of autobiographical pathos and large concern for humanity.
In the modern century the mantle of Lamb has dropped on many writers. Stevenson in the later Victorian era learned the convention of Lamb. He might not need the same humor and whimsicality of Lamb, hut he has the same urbanity in his design, exactly the same relaxed and fresh way of popular subjects. Chesterton writes on trifles but makes the trifles huge by his inimitable style while the documents of Hilaire Belloc are on nothing, on anything, on everything. He features a apparent incisive style by which humor represents a significant part in his British composition writings.
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